Unrest on a Private Beach | The Pass | The New Yorker Screening Room

In Pepi Ginsberg’s short film, The Pass, Ben becomes subject to the unwanted attentions of a mysterious man while taking a swim, making him afraid to get out of the water.

Misreading signals from a handsome stranger and his friends’ advice about a private beach, a young man gets in over his head while alone on holiday in Pepi Ginsberg’s gripping combination of erotically charged drama, slow-burn thriller, and sharp-eyed study of toxic masculinity.

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